Baby Flamingo Baby Flamingo Mom From Mean Girl

1972 Film

This article is virtually the film. For the bird, run across Flamingo. For the backyard decoration, meet Plastic flamingo.

Pink Flamingos
Theatrical release poster
Directed by	John Waters
Written by	John Waters
Produced by	John Waters
Starring	Divine David Lochary Mink Stole Mary Vivian Pearce Danny Mills Edith Massey
Narrated by	John Waters
Cinematography	John Waters
Edited by	John Waters
Production company	Dreamland
Distributed past	New Line Cinema
Release dates	March 17, 1972 (1972-03-17) (Academy of Baltimore) April 11, 1997 (1997-04-11) (25th anniversary)
Running time	92 minutes 1997 re-release: 107 minutes[1]
Land	United States
Language	English
Upkeep	$12,000[2]
Box office	$7 1000000

Pink Flamingos is a 1972 American exploitation, comedy or strictly speaking military camp picture directed, written, produced, narrated, filmed, and edited by John Waters.^[three] Information technology is office of what Waters has labelled the "Trash Trilogy", which also includes Female person Trouble (1974) and Desperate Living (1977).^[3] The film stars the countercultural drag queen Divine as a criminal living under the proper noun of Babs Johnson, who is proud to be "the filthiest person alive". While living in a trailer with her mother Edie (Edith Massey), son Crackers (Danny Mills), and companion Cotton (Mary Vivian Pearce), Divine is confronted by the Marbles (David Lochary and Mink Stole), a pair of criminals envious of her reputation who try to outdo her in filth. The characters engage in several grotesque, bizarre, and explicitly crude situations, and upon the movie's re-release in 1997 information technology was rated NC-17 past the MPAA "for a wide range of perversions in explicit detail". Information technology was filmed in the vicinity of Baltimore, Maryland where Waters and most of the bandage and coiffure grew up.

Displaying the tagline "An exercise in poor gustation", Pink Flamingos is notorious for its "outrageousness", nudity, profanity, and "pursuit of frivolity, scatology, sensationology [sic] and skewed epistemology."^[4] It features a "number of increasingly revolting scenes" that centre on exhibitionism, voyeurism, sodomy, masturbation, gluttony, vomiting, rape, incest, murder, cannibalism, castration, pes fetishism, and concludes, to the accompaniment of "How Much Is That Doggy in the Window?", with Divine's consumption of dog feces (coprophagia) — "The existent matter!" narrator Waters assures us. The movie is considered a preliminary exponent of apple-polishing art.^{[5] [vi]}

The film, at offset semi-secret, has received a warm reception from movie critics and, despite being banned in several countries, became a cult film in subsequent decades. In 2021, the film was selected for preservation in the Us National Film Registry by the Library of Congress as existence "culturally, historically, or aesthetically pregnant".^[seven]

Plot [edit]

The notorious criminal Divine lives nether the pseudonym "Babs Johnson" with her mentally-ill mother Edie, delinquent son Crackers, and traveling companion Cotton. They share a trailer on the outskirts of Phoenix, Maryland, next to a gazing brawl and a pair of plastic pinkish flamingos. Later on learning that Divine has been named "the filthiest person alive" past a tabloid newspaper, jealous rivals Connie and Raymond Marble endeavor to usurp her title.

The Marbles run a black market place infant ring: they kidnap immature women, have them impregnated by their manservant Channing, and sell the babies to lesbian couples. The gain are used to finance pornography shops and a network of dealers selling heroin in inner-metropolis elementary schools. Raymond likewise earns money by exposing himself — with a large kielbasa sausage or turkey cervix tied to his penis — to women and stealing their purses when they flee. Ane of Raymond's would-be targets, a transgender woman who has non completed gender reassignment surgery, thwarts his scheme by exposing her breast, penis, and scrotum, causing Raymond to flee in shock.

The Marbles enlist a spy, Cookie, to gather information almost Divine past dating Crackers. In ane of the picture's nearly infamous scenes, Cookie gets Raped past Crackers while crushing a live chicken between them as Cotton looks on through a window. Cookie so informs the Marbles almost Babs' existent identity, her whereabouts, and her family — as well as her upcoming birthday party.

The Marbles send a box of homo feces to Divine as a altogether nowadays with a carte addressing her as "Fatso" and proclaiming themselves "the filthiest people alive". Worried that her title has been seized, Divine declares that whoever sent the packet must die. While the Marbles are gone, Channing dresses in Connie's clothes and imitates his employers' overheard conversations. When the Marbles return abode, they are outraged to observe Channing mocking them, so they fire him and lock him in a closet.

The Marbles get in at the trailer to spy on Divine's birthday political party. Her birthday gifts include poppers, fake vomit, lice shampoo, a pig'due south head, and a meat cleaver. Entertainers include a topless woman with a snake human action and a contortionist who flexes his prolapsed anus in rhythm to the song "Surfin' Bird". The Egg Man, who delivers eggs to Edie daily, confesses his love for her and proposes matrimony. She accepts his proposal and he carts her off in a wheelbarrow. Disgusted past the outrageous political party, the Marbles call the police, but this backfires when Divine and her guests ambush the officers, hack up their bodies with the meat cleaver, and eat them.

Divine and Crackers head to the Marbles' house, where they lick and rub the piece of furniture, which excites them and then much that Divine fellates Crackers. They find Channing and discover two pregnant women held convict in the basement. After Divine and Crackers complimentary the women with a large pocketknife, the women use the knife to emasculate Channing.

The Marbles burn Divine's dearest trailer to the ground; when they render abode, their piece of furniture — cursed by beingness licked past Divine and Crackers — "rejects" them: when they attempt to sit down, the cushions fly upwards and throw them to the floor. They also discover that Channing has bled to decease from his emasculation and the ii girls accept escaped.

After finding the remains of their burned-out trailer, Divine and Crackers return to the Marbles' home, kidnap them at gunpoint, and bring them to the arson site. Divine calls the local tabloid media to witness the Marbles' trial and execution. Divine holds a kangaroo courtroom and convicts the bound-and-gagged Marbles of "outset-degree stupidity" and "assholism". Cotton fiber and Crackers recommend a judgement of execution, so the Marbles are tied to a tree, coated in tar and feathers, and shot in the head by Divine.

Divine, Crackers, and Cotton fiber enthusiastically decide to motion to Boise, Idaho. Spotting a pocket-size dog defecating on the sidewalk, Divine scoops upward the carrion with her hand and puts them in her oral cavity — proving, as the voice-over narration by Waters states, that Divine is "non only the filthiest person in the earth, but is as well the world's filthiest actress".

Cast [edit]

• John Waters (narrator) as Mr. J
• Divine as Divine/Babs Johnson
• David Lochary equally Raymond Marble
• Mink Stole as Connie Marble
• Mary Vivian Pearce as Cotton
• Danny Mills every bit Crackers
• Edith Massey every bit Edie
• Cookie Mueller as Cookie
• Channing Wilroy every bit Channing
• Paul Swift equally The Egg Homo
• Susan Walsh as Suzie
• Linda Olgierson as Linda
• Pat Moran every bit Patty Hitler
• Steve Yeager as Nat Curzan
• George Figgs equally Bongo thespian
• Elizabeth Coffey as a transgender woman who shocks Raymond
• David E. Gluck every bit The Singing Asshole

Product [edit]

Divine's friend Bob Adams described the trailer set up equally a "hippie district" in Phoenix, Maryland, and noted that their living quarters were in a farmhouse without hot water. Adams added that ultimately Divine and Van Smith decided to sleep at Susan Lowe's home in Baltimore, and that they would awake before dawn to use Divine's makeup earlier being driven to the set past Jack Walsh. "Sometimes Divy would have to wait out in full drag for Jack to pull the car around from back, and cars full of these blue-collar types on their way to work would practically mount the pavement from gawking at him,"^[8] Adams said.

Divine's mother, Frances, later said she was surprised that her son was able to endure the "pitiful conditions" of the prepare, noting his "expensive taste in dress and article of furniture and food".^[9]

Shot on a budget of just $10,000, Pink Flamingos is an example of Waters' mode of low-budget filmmaking inspired by New York undercover filmmakers like Kenneth Anger, Andy Warhol, and brothers Mike and George Kuchar.^[4] Stylistically, it takes its cues from "exaggerated seaport ballroom drag-show pageantry and antics" with "classic '50s rock-and-roll kitsch classics."^[4] Waters' idiosyncratic way—also characterized by its "bootleg Technicolor" look, the event of high amounts of indoor paint and make-up—was dubbed the "Baltimore aesthetic" by art students at Providence.^[iv]

Waters' crude editing added "random Joel-Peter Witkin-esque scratches and Stan Brakhage-moth-wing-like dust marks" to the pic, apart from sound delays betwixt shots.^[4] Waters has stated that Armando Bo's 1969 Argentine motion-picture show Fuego influenced not just Pink Flamingos, only his other films: "If you lot watch some of my films, you can see what a huge influence Fuego was. I forgot how much I stole. ... Look at Isabel'southward makeup and hairdo in Fuego. Dawn Davenport, Divine's grapheme in Female person Problem, could be her exact twin, only heavier. Isabel, yous inspired u.s. all to a life of cheap exhibitionism, exaggerated sexual desires and a love for all that is trash-ridden in cinema."^[10]

Music [edit]

The film used a number of mainly single B-sides and a few hits of the late 1950s/early 1960s, sourced from John Waters' record collection, and without obtaining rights. Later rights were obtained, a soundtrack CD coincided with the 25th anniversary release of the film on DVD in 1997.^[11]

1. "The Swag" – Link Wray and His Ray Men
2. "Intoxica" – The Centurions
3. "Jim Bang-up" – LaVern Bakery
4. "I'thousand Not a Juvenile Delinquent" – Frankie Lymon and the Teenagers
5. "The Girl Can't Help It" – Little Richard
6. "Ooh! Wait-a-There, Ain't She Pretty?" – Pecker Haley & His Comets
7. "Craven Grabber" – The Nighthawks
8. "Happy, Happy Birthday Infant" – The Tune Weavers
9. "Pink Champagne" – The Tyrones
10. "Surfin' Bird" – The Trashmen
11. "Anarchism in Cell Block #9" – The Robins
12. "(How Much is) That Doggie in the Window" – Patti Page

The song "Happy, Happy Altogether, Baby" is used every bit a replacement for "Sixteen Candles", by The Crests, which appeared in the original 1972 cut of the motion-picture show and for which permission could not be obtained. The original release had besides used a cursory extract of Igor Stravinsky's The Rite of Jump,^{[ where? ]} which was removed for the re-release.^{[12] [ failed verification ]}

Release [edit]

The motion picture had its world premiere on March 17, 1972, at a screening sponsored by the Baltimore Moving picture Festival. The event was held on the campus of the Academy of Baltimore, where it sold out tickets for three successive screenings. The film had aroused particular involvement amidst fans of hugger-mugger cinema following the success of Multiple Maniacs, which had begun to be screened in cities such as New York, Philadelphia, and San Francisco.^[13]

The Joyce Theater in 2009; this building formerly housed the Elgin Theater, where Pink Flamingos was screened equally a midnight moving picture for several years in the early 1970s.

Being picked upwards by the and so-modest independent company New Line Movie theatre, Pink Flamingos was afterwards distributed to Ben Barenholtz, the owner of the Elgin Theater in New York City. At the Elgin Theater, Barenholtz had been promoting the midnight movie scene, primarily by screening Alejandro Jodorowsky's acid western film El Topo (1970), which had become a "very pregnant success" in "micro-contained terms". Barenholtz felt that being of an avant-garde nature, Pink Flamingos would fit in well with this crowd, subsequently screening it at midnight on Friday and Saturday nights.^[14]

The film shortly gained a cult post-obit of filmgoers who repeatedly came to the Elgin Theatre to watch it, a grouping Barenholtz characterized as initially equanimous primarily of "downtown gay people, more of the hipper set up", only after a while Barenholtz noted that this grouping eventually broadened equally the pic also became popular with "working-class kids from New Bailiwick of jersey who would become a trivial rowdy." Many of these cult movie theatre fans learned all of the lines in the movie, and recited them at the screenings, a phenomenon which later became associated with another popular midnight picture of the era, The Rocky Horror Motion-picture show Testify (1975).^[15]

Ban [edit]

The film was initially banned in Switzerland and Australia, too as in some provinces in Canada and Norway.^[16] The film was eventually released uncut on VHS in Australia in 1984 with an X rating, but distribution of the video has since been discontinued. The 1997 version was cut by the distributor to achieve an R18+ after information technology was too refused classification. No submissions of the moving picture take been made since, merely it has been said that one of the reasons for which information technology was banned (as a film showing actual sexual practice cannot be rated X in Commonwealth of australia if it also features violence, so the highest a motion picture such every bit Pink Flamingos could be rated is R18+) would at present not apply, given that the depiction of actual sex was passed within the R18+ rating for Romance in 1999, 2 years following Pinkish Flamingos ' re-release.^[17]

Home media [edit]

Pink Flamingos was released on VHS and Betamax in 1981, and the re-release in 1997 New Line Home Video became the second best-selling VHS for its week of release. The moving picture was released in the John Waters Collection DVD box ready forth with the original NC-17 version of A Dirty Shame, Desperate Living, Female Trouble, Hairspray, Pecker, and Polyester. The film was too released in a 2004 special edition with audio commentaries and deleted scenes as introduced past Waters in the 25th anniversary re-release (run into below).

Alternate versions [edit]

• The 25th anniversary re-release version contains a re-recorded music soundtrack, re-mixed for stereo, plus 15 minutes of deleted scenes following the film, introduced by Waters. Certain excerpts of music used in the original, including Igor Stravinsky'due south The Rite of Jump, had to be removed and replaced in the re-release, since the music rights had never been cleared for the original release.^[11]
• Because of this pic'southward explicit nature, it has been edited for content on many occasions throughout the world. In 1973, the U.S. screened version edited out most of the fellatio scene, which was later on restored on the 25th anniversary DVD. Canadian censors recently restored five of the 7 scenes that were originally edited in that land. Hicksville in Long Island, New York, banned the film altogether.^[16] The Japanese laserdisc version contains a blur superimposed over all displays of pubic hair. Prints also be that were censored by the Maryland Censor Board.
• The kickoff UK video release of Pink Flamingos in November 1981 (prior to BBFC video regulation requirements) was completely uncut. It was issued by Palace equally part of a package of Waters films they had acquired from New Line Movie house. The package included Mondo Trasho (double-billed with Sex activity Madness), Multiple Maniacs (double-billed with Cocaine Fiends), Drastic Living, and Female person Trouble. The 1990 video re-release of Pinkish Flamingos (which required BBFC approval) was cut by three minutes and 4 seconds (3:04), the 1997 effect lost ii minutes and twoscore-two seconds (2:42), and the pre-edited 1999 print by ii minutes and eight seconds (2:08).
• The 2009 Sydney Clandestine Film Festival screened the film in Odorama for the showtime time, using scratch 'n' sniff cards similar to the ones used in Waters' later work Polyester.
• John Waters recast the motion picture with children and rewrote the script to make it kid-friendly in a 2014 project, Kiddie Flamingos. The 74-minute video features children wearing wigs and costumes modeled on the originals and performing roles originated by Divine, Mink Stole, Edith Massey, and others. Waters has said the new version, filmed on one twenty-four hour period with actors drawn mostly from friends' children, is in some ways more perverse than the original. The motion picture was shown on a continuous loop in the Black Box gallery at the Baltimore Museum of Art from September 2016 through January 2017.^[18]

Reception [edit]

On Rotten Tomatoes the film has an approving rating of 81% based on reviews from 42 critics, with an average rating of 7.2/x.^[xix] On Metacritic it has a weighted average score of 47 out of 100, based on reviews from 10 critics, indicating "mixed or average reviews".^[20] In the "Cult Movies" episode of the UK documentary series Mark Kermode's Secrets of Picture palace, Kermode admitted that Pink Flamingos is "one of the very few films that I have ever walked out of, when I get-go saw it as a teenager on a late-night double bill at the Phoenix in Eastward Finchley."^[21]

Like the underground films from which Waters drew inspiration, which provided a source of community for pre-Stonewall queer people, the picture has been widely celebrated by the LGBT customs^[22] and has been described every bit "early on gay agitprop filmmaking."^[iv] This, coupled with its unanimous popularity amidst queer theorists, has led to the picture being considered "the most important queer flick of all time."^[23] Pink Flamingos is besides considered an important precursor of punk civilization.^[24]

Despite Waters having released similar films, such as Mondo Trasho and Multiple Maniacs, information technology was Pink Flamingos that drew international attention.^[4] Similar other underground films, it fed the rising popularity of midnight movie screenings, at which it generated a dedicated cult following that carried the film for a 95-week run in New York City and ten consecutive years in Los Angeles.^{[iv] [25]} For its 25th ceremony, the film was re-released in 1997, featuring commentary past Waters and deleted scenes,^[4] adding fifteen minutes of material.^[i] American "New Queer Picture palace" director Gus Van Sant has described the film as "an absolute archetype piece of American cinema, right upward there with The Birth of a Nation, Dr. Strangelove, and Boom!"^[4] The Library of Congress inducted Pink Flamingos to the National Film Registry in December 2021. ^[26]

Background [edit]

Waters stated in a 2015 interview with the British Film Constitute that he wouldn't film chicken murder in today's society merely that the (faked) chicken murder scene was referring to the 1962 Italian documentary film Mondo Cane.^[27]

Influence [edit]

Divine [edit]

The final scene in the moving picture would testify specially infamous, involving the character of Babs eating fresh dog carrion; as Divine later on told a reporter, "I followed that dog effectually for three hours just zooming in on its asshole" waiting for it to empty its bowels so that they could moving-picture show the scene. In an interview not in graphic symbol, Harris Milstead revealed that he soon called an emergency room nurse, pretending that his child had eaten dog feces, to inquire about possible harmful effects (there were none).^[28] The scene became i of the nigh notable moments of Divine's acting career, and he afterward complained of people thinking that "I run effectually doing it all the time. I've received boxes of dog shit – plastic dog shit. I take gone to parties where people just sit effectually and talk virtually dog shit because they recollect it'southward what I desire to talk about". In reality, he remarked, he was non a coprophile but only ate excrement that one fourth dimension because "information technology was in the script".^[29]

Divine asked his mother, Frances Milstead, not to watch the picture, a wish that she obliged. Several years before his death, Frances asked him if he had really eaten dog excrement in the film, to which he "but looked at me with that twinkle in his bluish eyes, laughed, and said 'Mom, you wouldn't believe what they can do present with trick photography'."^[nine]

Cultural influence [edit]

The movie has a reputation as a midnight motion picture classic cult with audience participation like to The Rocky Horror Moving-picture show Show.

• The Funday PawPet Show holds what is called the "Pink Flamingo Challenge", in which the ending to the picture show is played to the audience while they eat a (preferably chocolate) confection. Videos of the show are forbidden from showing the clip, simply the reaction of the audience.^{[ commendation needed ]}
• Theater patrons frequently received free "Pink Phlegmingo" vomit bags.^{[ citation needed ]}

Expiry metal band Skinless sampled portions of the Filth Politics spoken language for the songs "Merrie Melody" and "Pool of Stool", both on their second album, Foreshadowing Our Demise.^{[ citation needed ]}

Joe Jeffreys, a drag historian, mentioned seeing in Pinkish Flamingos a affiche for the documentary film The Queen (1968), featuring Flawless Sabrina, and stated that it influenced his career path to certificate the history of drag with the Drag Testify Video Verite.^[thirty]

Cancelled sequel [edit]

Waters had plans for a sequel, titled Flamingos Forever. Troma Amusement offered to finance the picture, but it was never made, as Divine refused to be involved, and in 1984, Edith Massey died.^[sixteen]

Subsequently reading the script, Divine had refused to be involved as he believed that it would not be a suitable career motion, for he had begun to focus on more serious, male roles in films like Trouble in Mind. According to his director, Bernard Jay, "What was, in the early seventies, a mind-blowing exercise in Poor Taste, was at present, we both believed, sheer Bad Taste. Divi[ne] felt the public would never have such an infantile endeavor in daze tactics some fifteen years later and by people fast approaching middle age."^[31]

The script for Flamingos Forever would later be published in John Waters' 1988 book Trash Trio, which also included the scripts for Pinkish Flamingos and Desperate Living.

See as well [edit]

• List of American films of 1972
• Cult film
• Midnight movies
• List of banned films
• Divine Trash
• In Bad Gustation
• Cinema of Transgression

References [edit]

1. ^ ^{a b} "Pink Flamingos (eighteen) (CUT)". British Board of Film Classification. June 27, 2013. Retrieved June 29, 2013.
2. ^ "How John Waters and Mink Stole made notorious cult film Pink Flamingos". TheGuardian.com. March 17, 2020.
3. ^ ^{a b} Levy, Emanuel (July fourteen, 2015). Gay Directors, Gay Films?. Columbia University Printing. ISBN978-0231152778.
4. ^ ^{a b c d e f 1000 h i j} Van Sant, Gus (April xv, 1997). "Timeless trash". The Advocate. No. 731. Here Publishing. pp. twoscore–41. ISSN 0001-8996. Retrieved March x, 2016.
5. ^ Kutzbach, Konstanze; Mueller, Monika (July 27, 2007). The Abject of Want: The Aestheticization of the Unaesthetic in Contemporary Literature and Culture. Rodopi. ISBN978-9042022645.
6. ^ What Culture#16; Pink Flamingos
7. ^ Tartaglione, Nancy (December 14, 2021). "National Film Registry Adds Return Of The Jedi, Fellowship Of The Band, Strangers On A Train, Sounder, WALL-Due east & More". Deadline Hollywood . Retrieved December 14, 2021.
8. ^ Milstead, Heffernan and Yeager 2001. pp. 61–62.
9. ^ ^{a b} Milstead, Heffernan and Yeager 2001. p. 61.
10. ^ Corliss, Richard (August 7, 2010). "Isabel Sarli: A Sex Bomb at Lincoln Center". Time. Archived from the original on August 26, 2010. Retrieved April xiii, 2011.
11. ^ ^{a b} "Various – John Waters' Pink Flamingos Special 25th Anniversary Edition Original Soundtrack". discogs.com. Retrieved June 21, 2018.
12. ^ Schuessler, Jennifer (September xiv, 2012). "Shock Me if You Can". New York Times . Retrieved June 21, 2018.
13. ^ Milstead, Heffernan and Yeager 2001. pp. 66–67.
14. ^ Milstead, Heffernan and Yeager 2001. pp. 69-70.
15. ^ Milstead, Heffernan and Yeager 2001. pp. lxx-71.
16. ^ ^{a b c} Harrington, Richard (April 6, 1997). "Revenge of the Gross-Out Rex! John Waters'southward 'Pink Flamingos' Enjoys a 25th-Year Revival". Washington Postal service . Retrieved June 21, 2018.
17. ^ Films: P. Refused-Classification.com. Retrieved Oct 25, 2011.
18. ^ "2016 Kiddie Flamingos Details - Baltimore Museum of Art". artbma.org.
19. ^ Pink Flamingos at Rotten Tomatoes
20. ^ "Pinkish Flamingos". Metacritic . Retrieved January 22, 2020.
21. ^ "Cult Movies". Marker Kermode's Secrets Of Cinema. Flavor 3. Episode 3. Jan 25, 2021. BBC. BBC Iv.
22. ^ Benshoff, Harry Yard. (June 17, 2004). Queer Cinema: The Moving picture Reader. Routledge. p. nine. ISBN978-0415319874 . Retrieved March 10, 2016.
23. ^ Oyarzun, Hector (January 3, 2016). "xx Essential Films For An Introduction To Queer Cinema". Taste of Movie theater. Retrieved March 10, 2016.
24. ^ Gleiberman, Owen (April xviii, 1997). "Pink Flamingos". Entertainment Weekly. Time Inc. Retrieved March 11, 2016.
25. ^ Mathijs, Ernest; Sexton, Jamie (March 30, 2012). Cult Movie theater. John Wiley & Sons. p. 136. ISBN978-1405173735.
26. ^ Ulaby, Neda (December fourteen, 2021). "'Return of the Jedi,' 'Selena' and 'Sounder' added to National Motion picture Registry". NPR.
27. ^ Archived at Ghostarchive and the Wayback Auto: John Waters "On Stage with the Pope of Trash" (Extended) BFI . Retrieved July x, 2019 – via YouTube.
28. ^ Divine Waters, 1985
29. ^ Milstead, Heffernan and Yeager 2001. p. 65.
30. ^ Ryan, Hugh (March 7, 2015). "Queen Sabrina, Flawless Mother". VICE magazine . Retrieved May two, 2017.
31. ^ Jay 1993. p. 211.

Bibliography

• Jay, Bernard (1993). Not Simply Divine!. London: Virgin Books. ISBN0-86369-740-2.
• Milstead, Frances; Heffernan, Kevin; Yeager, Steve (2001). My Son Divine. Los Angeles and New York: Alyson Books. ISBN978-ane-55583-594-1.

External links [edit]

• Pink Flamingos at IMDb
• Pink Flamingos at Rotten Tomatoes
• Pink Flamingos at the Dreamland website

sheehanlout1998.blogspot.com

Source: https://en.wikipedia.org/wiki/Pink_Flamingos

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